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These are ideal for action sports, commercials, in-store displays or anywhere a unique visual look is essential to attracting viewers. It creates easily adjustable visual effects that irresistibly attract the eye.
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Here’s an article that describes how to apply and adjust the Broadcast Safe effect in both Premiere and Final Cut. For this reason, if you are doing work for broadcast, cable, DVD or DCP, you will need to apply a Broadcast Safe effect after these effects to keep your levels legal. For example, the Regional Light effect drives Luma levels well outside broadcast safe limits. This is Regional Light, where you can apply highlights to different regions within the clip.ĬAUTION: Many of these effects play with the luminance levels of a clip. Some are more appropriate for darker night scenes and some create visual flickers which are impossible to reproduce in a written article. I could go on and on – each effect is more interesting than the last. This is the Multi-color Vignette, which you can adjust for color, position and “blob-ness.” (And, as we all know, properly adjusting the blobitude of an image is very, very important.) Here’s an example, the Multi-Color gradient, tweaked for colors, angles, soft edges and blend mode. There are plenty of sliders which allow you to refine the look. (I’m especially fond of “Blur edges.” I prefer effects which are more subtle and less “in your face.”)Įach effect has presets that allow you to quickly check out a variety of looks for each effect. Like all effects, you apply it to a clip, then tweak the settings until you get something you like, or makes you giggle, or leaves you gasping. Basically, Luca Light Kit 2 gives us lots of different ways to change the look of our images in hopes that something that looks “different” stops a viewer long enough to watch what we create. A horror film is much scarier when set in the dark of night in a deserted warehouse, than in broad daylight on the beach. (Images courtesy Standard Films – But, for most story-tellers, how something looks is as important as the story it tells. For me, the clearer and more understandable I make my videos, the more successful they are. This area of visual imagery is not something I worry about personally. This is especially true in commercials where our natural instinct is to click past the commercial because we can’t be bothered to watch it even if its a subject we are interested in. If you think about it, one of the biggest challenges each of us face is getting potential viewers to stop long enough to watch our videos. The operation of the effect is essentially the same in all applications.
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Installation is easy and takes less than a minute to install for all supported applications.
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Like all FX Factory effects, you need to install the free FX Factory engine – – then install the plug-in.
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Like most FX Factory titles, this package supports: Final Cut Pro X, Motion, Adobe Premiere and After Effects Other plug-ins in the suite, like Color Bands, Color Boost, Retro Color Shader, Night Time, Multicolor Gradient, Multicolor Vignette, Vivid Touch and Stylizer, offer new ways of stylizing images, colors and ambient light. Installed as part of the FX Factory suite of effects, Luca Light Kit 2 includes 16 plugins (14 effects, 7 of which are brand new and 2 transitions) most of which reproduce a specific type of light effect such as flickering, regional, zooming, blurring, burn and flashing light. Luca started creating plugins for FCP6 and 7 using FXscript before moving to FX Factory.
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His visual effects are being used by broadcast tv channels and production companies such as Dreamworks, BBC and ITV as well as on big Film ands TV productions, including “The Walking Dead,” “Strictly Come Dancing” and various wild life documentaries. Which brings me to a recent email from Luca Bonomo, Founder of Luca Visual FX, about their newest release: Luca Visual FX Light Kit 2.įor those that don’t know Luca, he’s a multi-award winning video-maker and editor with broadcast credits who has worked on a great variety of productions and for major clients. I’d probably rail passionately against this, if I wasn’t so busy doing exactly the same thing myself. It seems to be a tenet of modern video production that we spend all this time on set worrying about lighting and lenses, framing and focus to create stunning images – only to then spend yet more time in post degrading the look – all in the name of “artistic creativity.” 15, 2018, with comments from the developer.